By Louis A. Ruprecht, Jr…..
On the day after Osama bin Laden’s unexpected death was announced by the US President, a fascinating new exhibition was previewed at the Metropolitan Museum in New York. Entitled “Savage Beauty,” it bore more than a casual relevance to the city’s attempt to grasp the right tone in the twinned face of this assassination and the upcoming decennial commemoration of the September 11th attacks. Naturally, that strange-sounding juxtaposition needs some explanation. It has something to do with the sacred. That is to say, it has something to do with an important aesthetic and religious category very popular among the Romantics: the Sublime.