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Pondering The Face Of Ground Zero

Pondering The Face Of Ground Zero

Louis A Ruprecht, Jr., Georgia State University….
God knows it’s understandable, the tumultuous range of sentiments. I felt it too, uncertain how to feel exactly, and unsure what I’d come expecting to find. The havoc created here was beyond describing, and the grief of shattered human lives multiplied by the tens of thousands brings us very close to the sacred place where language fails to capture the essences. Tears have been more eloquent in the past, and now, perhaps, a raised fist or two. As I picked up to leave, one image on the screen suddenly caught the attention: It was the Statue of Liberty, but this goddess was not holding the flame of liberty aloft; she was holding Osama bin Laden’s severed head.

On Self, the Spirit and Creativity

On Self, the Spirit and Creativity

By Louis A. Ruprecht Jr.
Deren was born in Kiev, but was raised in Syracuse, New York. She studied literature, especially the Symbolist poets, first at Syracuse University, then later at NYU and Smith College. It was in New York that she got involved both in radical politics and in modern dance. Even then, it would seem, Maya Deren understood art to be a form of radical politics and an experiment in radical religious vision. She eventually landed on film as the medium best suited to her own expansive visions, and she began making a number of important short films in an explosively creative period that began in 1946 and lasted until roughly 1951.

The Anti-Muslim Machine

The Anti-Muslim Machine

By Kiera Feldman, Killing the Buddha
Nowadays, we don’t lynch, and we riot rarely. The occasional individual will stab a Muslim cabbie in Manhattan, beat a Mexican on Staten Island, or kill an Ecuadorian on Long Island. Mostly, we blog. An angry, fearful mob, posting and commenting, commenting and posting, in a town square cobbled with pornography and hate speech: the internet.