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A Further Note on Cronus and Chronos

A Further Note on Cronus and Chronos

By Louis A. Ruprecht, Jr., Georgia State University…..
I recently published a piece at “Religion Dispatches” about the Roman winter festival called Saturnalia. A commentator noted that I had inadvertently confused (or rather, conflated) two very different divinities in that piece: namely, the Greek figures of Cronus and Chronos. I was grateful for the opportunity this provided to say what I should have said then with a bit more care and clarity, and the detail of these reflections seems perfectly suited to the non-at-all nerdy audience at “Religion Nerd.” So here goes. Greek and Roman religions were religions without canonical scriptures; their mythology is notoriously complex and, to modern eyes, often contradictory.

Red Riding Hood Arouses Man’s Inner (Were)Wolf

Red Riding Hood Arouses Man’s Inner (Were)Wolf

By Louis A Ruprecht….
We know, for example, that werewolves are shape-shifters, much like vampires, though they are their sworn, almost genetically-determined enemy. But recently we’ve learned that they can also make treaties and commit themselves to truces, fragile though they inevitably are. Vampires and werewolves can have common enemies (like witches), articulate common purpose (survival, most obviously), or strive heroically and movingly against their natural antipathies. Their relationship looks a lot like the dance between capitalists and communists in the waning years of Soviet power. “Trust but verify” is their watchword. And now this mysterious figure has come out of our collective dream-world once again, hard on the trail of a no-longer-little Red Riding Hood in Catherine Hardwicke’s Red Riding Hood, released earlier this month.

The Apple: From the Judgment of Paris to the Twilight Series

The Apple: From the Judgment of Paris to the Twilight Series

Today, the apple, although not specifically mentioned in Genesis, is believed by many to be the ‘forbidden fruit’ from the mythic Garden of Eden. The image of Eve’s eating and presenting Adam with an apple was introduced during the Renaissance period as many Renaissance artists incorporated Greek mythological imagery into their biblical works of art. The golden apples of immortality from the Garden of Hesperides or the apple from the Judgment of Paris were, most probably, the apple myths that Renaissance artists embraced, reimagined, and incorporated into Old Testament narratives.